• Barbara Le Gallez
    87
    Dear All,
    Please advise me.
    I do not know how to cope with a ringer who just says "can't do it" and gets upset when told what they need to do to improve.
    I am afraid that if I keep nagging then they will give up ringing, and our band can't afford to lose any ringers, especially not younger ones like this person and their partner..
    But I can't just smile and go "there, there, never mind, we are all friends here and that's all that counts"
    I don't know how to manage this situation - hopefully someone here does.
    Thanks, Barbara
  • Lucy Chandhial
    107
    It might be worth asking how they like to learn or how they tackle new challenges in other parts of life.
    Some people are perfectionists and hate doing anything they can’t get 100% right first time. Others like to read about it or watch a video or talk it through in detail before trying it. Some can only learn from doing but might need time in one to one sessions to feel safe about the time it takes to learn the technique. Without knowing what stage they are it’s hard to provide detailed advice but starting by asking them how they tackle learning something new at work or in sports / music etc might give you some idea of what they find difficult about getting it wrong at a bellringing practice (with the emphasis on practice, where everyone gets it wrong at least some of the time!).
    I think there was something in the Ringing World a couple of years ago about how hard it can be for adult learners to enjoy learning something where they will make mistakes and struggle, somehow we forget how to be relaxed about learning by failing (and some people have always found that really hard).
  • John Harrison
    464
    Lucy’s point about adults being uncomfortable with things they can’t do well is true. Youngsters ‘learn things for a living’ as Phil Gay once said, but as they grow older they give up what they aren’t good at and only do things they are (reasonably) good at. For most people the last physical skill they learn is driving, in their late teens.
    I remember being very frustrated and disappointed trying to learn hang gliding in my mid 30s. I expected to to be as natural as cycling but it wasn’t and I kept doing the wrong things. In the end I gave up (probably a good thing given the accident rate).
    In your case I think you need to unpack what’s behind ‘I can’t do it’, which could mean two different things.
    It could be if it is a simple statement that the keel ant skill/knowledge/knack is absent then the way forward is to work with them to identify what is missing and try to find explanations and exercises that could help to fill them.
    Alternatively it might be an escape message, like the day I stood at the top of the hill without the courage to make a flight because I didn’t have confidence in my ability to fly safely. In your case it’s obviously not as safety fear, since he/she is willing to ring, but it could be a fear of failing to make whatever improvement step you are asking to be attempted because it feels impossible. If that is so you need to find out why and try to find a way round it or to break it down.
    Either way with an adult you need to work together to find out what the problem really is. What is ‘it’ that can’t be done? Then explore the problem and find ways round it. You might need to come at it from different directions rather than straight on.
    Good luck.
  • Barbara Le Gallez
    87
    Thank you for the advice.
    In case it helps people to give further advice, the lady can ring plain hunt well (by counting places), but the sticking points are: moving on to methods and acquiring ropesight.
    She explains, for example, "I have too much else going on at the moment", or "I can only do things the way I can do them", or "I just want to ring for fun".
    She becomes upset if I say, for example, "you were ringing too fast and so were in the wrong place when you dodged, even though you thought you were in the right place".
    I guess she thinks - "I didn't want to do this anyway, but you made me do it and now you criticise me for not being able to do it".
    So I guess I just have to accept that she's a volunteer, and let her do only what she wants, how she wants.
    But this goes against my understanding that it is my job to develop the skills both of individual ringers and also of the band.
  • John Harrison
    464
    . can ring plain hunt well (by counting places)Barbara Le Gallez
    That's positive. I assume you mean she doesn't (consciously) follow a remembered sequence of ropes. If she can do that well then she must know where she should be, and she has a sense of going quicker or slower to get there. And if she really can ‘do it well’ she must have developed the ability to hear that she is fitting in ok.
    It shouldn’t be too onerous a step to extend that to things like continuous dodging or repeated place making, and then to treble dodge hunting.
    I can only do things the way I can do themBarbara Le Gallez
    That seems ok if it works.
    I just want to ring for funBarbara Le Gallez
    Ok, have fun making small steps
    you were ringing too fast and so were in the wrong place when you dodgedBarbara Le Gallez
    It’s better to focus on the positive and what to do rather than on the negative or what not to do, so start with that first as an introduction to any correctives. For example (assuming you are talking about hunting down):
    Think how she got to be in the wrong place, did she leave the back too soon, hint down too fast, miscount and mentally arrive at the dodge a blow later than she should? In each case you can give positive advice, eg: Make sure you stay both blows at the back before starting to come down. Make a gentler speed change so you come down at the right pace. Remember you arrive at the dodge on a handstroke and take the reverse step on the backstroke.
    That can be followed by describing the the pitfalls to avoid, eg arriving too low to do the dodge.
    I’m assuming small numbers, but on 8 (or more) things often go wrong on the way down, of which the learner is unaware but which scupper their attempt to be in the right place. For example backstrokes often tend to revert to rounds speed, forcing an excessive correction at handstroke, which destabilises things.
    Try to observe closely what she actually does, at the fine scale, which might enable you to suggest ‘try to … as you …’. And then work together to see if she can learn to do them, or at least become aware of that aspect of what she does.
    Sorry a lot of words. Hard to know what might help in the abstract without actually seeing.
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