Very few I suspect. — John Harrison
I’m frustrated that my local Association offers nothing for the intermediate ringers. For whatever reason I am not included in advanced ringing locally, or even Association quarter peals, apart from a couple I have set up myself. The response to this would be that my striking is not good enough, but there has been no help from the Association to help me to improve. Although advanced practices have been scheduled they are cancelled 95% of the time. Nearly all the resources of the Association are fed into the Young ringers. As an older person I feel my ambitions are not important to the Association and I’d like to change things for the better.
For most I think it's more likely a combination of not being given the vision of what ringing could be, not being taught and developed well enough to get to the point where they could realise it for themselves, and absorbing the culture of the band into which they were recruited. — John Harrison
I was merely stating (what I believe) the numbers are. — John Harrison
By 'doing it' I didn't just mean experienced ringers who ring by themselves, I meant the activists who as well as doing a lot of ringing also do teaching and development of other ringers, but do so 'in the present'. — John Harrison
That described me n my teens. I rang several nights a week, cycled miles at weekends to ringing, taught lots of other youngsters to ring and we developed a moribund tower to become leading QP tower in the county. — John Harrison
Our community of practice is numerically dominated by people whose interest is less in the art of ringing and more on doing something for their church on Sunday morning. — John Harrison
And among those who are focused on the art of ringing, many just want to get on with 'doing', so their view of preserving the heritage would be to ensure that others like them can carry on 'doing'. — John Harrison
We've partnered with a number of organisations who cover different parts of the country and the different categories of living heritage, so if you have any questions relating to your type of living heritage or your region, they should be your first people to get in touch with.
The Community Support Hubs will be running throughout the call for submissions and are there to answer any questions and provide guidance tailored to your region or area of living heritage.
Community consent is the process of getting agreement or approval of your community of practice on the decision to submit an element to the inventories.
'Prior’ means that consent was given before the living heritage was submitted to the inventories.
How do I gather community consent? / What do we need to include to demonstrate consent?
The process for gaining consent from the community of practice will vary and will be informed by the community’s customary decision-making processes. It could include (but is not limited to) a vote of hands at a meeting, an online poll, an exchange of emails or a collection of signatures, but we are not setting specific requirements and would ask that you demonstrate consent in the way that is best suited to your community of practice.
We will keep the call for submission period open for around four months. We tried to find the balance between giving people enough time to write a submission and get community consent and not making the process too long.
So change ringing in hand isn’t cultural heritage? — John Harrison
Presumably it makes sense to have one organised entry than multiple similar but different entries for bellringing? — Lucy Chandhial
exploring alternative practices may be frowned upon by some locally, and there is the challenge of feeling like you've abandoned another group. — Tristan Lockheart
I wonder how many ringers we have out there who would like to progress further given the opportunity, and are not able to as there is little or no culture of progression or improvement at their tower? — Tristan Lockheart
Since then I have had to accept that the collective decision of my band is to stick with ringing at a low level ... they are looking at turning the church into a community asset — Barbara Le Gallez
But for any group activity to survive, it must have the ability to encompass the needs and aspirations of the least competent / least knowledgeable as well as the more / most advanced. — Mike Shelley
Your QP grouping example is not exclusionary — Mike Shelley
those people need to acknowledge that, by monopolising practice sessions, they are consciously or subconsciously debarring those of “less than adequate” qualification. — Mike Shelley
A tower near me has their practice evenings in two parts — Mike Shelley
Definitely as part of a recruitment it makes sense to explain your expectations or your usual practice as a band. — Lucy Chandhial
I don't think its an either/or some of us make bell ringing a major part of our life and some just want to dip in and out and we should accomodate that without being too judgemental about people who don't share our passion. — Tom Ridgman
Hi John, how is this working out in practice? — Neil McGann
This is where the bandwidth thing comes in. Before starting you need to know the method well enough that recall isn't taking up the majority of your thinking capacity. You also need to get ahead of the game so you are thinking about what comes up in the next few blows rather than thinking about what I am doing now. Once you have this capacity then there is space to think about other useful things like what order the bells are going to come at you, what is the treble doing, can I get my handling just right, how does the (whole) change sound, what rhythm are the back bells setting and do I fit into it, etc. — Jonathan Frye
All of that is a lot to think about and its impossible to do at first. But bandwidth is a trainable skill, you can effectively increase your "processing speed" which gives you more capacity to think about more at once. — Jonathan Frye
The easiest way to do what? Not the easiest way to develop core change ringing skills like appreciating and being able to control speed and position. It distracts from them. — John Harrison
The focus at practice nights and the instructions we give are very much on looking at a bell - follow that bell, look at that bell. — Charlotte Boyce
We are starting a series of articles in Ringing Round Devon on how an experienced ringer rings - what they hear, see, how they strike and how they ring by rhythm, how they concentrate, how they learn learn a method. They are the things perhaps people have traditionally been expected to pick up or read about, but perhaps we need to talk about them more, and pass on experience rather than expect osmosis to work. — Charlotte Boyce
