Do we stop teaching people too soon? We pretty much had a plan in advance for all of the students — Simon Linford
It would be interesting to see what the plans looked like for the different starting points, I'm sure that would help others planning such efforts in the future.
The ARA will also have follow up in that those who put forward young ringers to come have now been sent feedback on their students and what the next steps for them in their local area ought to be. — Simon Linford
Good to hear there's follow-up. One of the criticisms I've heard about the existing ringing courses is that people are coming back after a year having made no progress, I assume because there's often no follow-up in place?
So the concept of this Deliberate Practice and Expert Performance is definitely possible, but it takes very great effort. — Simon Linford
Undoubtedly, but I wonder if it's actually a more effective use of resources, if you compare it to the amount of time they'd have to have spent in regular tower practices to achieve the same degree of improvement?
I think there is a limit to how far you can get without inate ability ... Plenty of ringers have inate ability but don't get opportunity ... lack of inate ability is or will be the thing that limits their progress — Simon Linford
Clearly true, but there's not just one destination on the journey. By most standards the people attending the course are already advanced ringers, if the approach you used worked well at that level, could it be replicated at earlier stages? After all, you are going to need a steady stream of people who can already ring Surprise Major
:wink:
As an aside, this sort of approach sounds like it ticks all the boxes for Arts Council funding, I know of a directly comparable programme in the
Carnival Arts area that attracts significant funding.